2212 безплатни аудиофайлове за "D Sharp Chords"

Predominant chord: ♭III+63.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.

Donald MacGillavry

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Bergamesca ('The Buffens'), Straloch MS., c. 1600.

Recording of a symphonic brass chime, note c#.

Multiple sounds of small glass breaking.

Microphone feedback of varying lengths. Made by jamming earphone bud into the recorder's microphone with varying pressure, then cleaning out low end rumbling. Recorder: sony pcm-d100.

I made this for my game.

Ceramic toilet lid being moved, grinding against the tank. Ow!.

A brief ui sound i am using, maybe you can use it too.

The sound of a wide leather belt being removed. It wasn't being removed to undress. Wasn't my belt. Also not my best night.

Electric guitar low distortion blues style based on d sharp, g sharp and f sharp (you pick).

Sharp horn shot from a small suv being locked using the remote.

A man gasping.

This frequency is 136. 1 hz, or a c# if a=432hz. C# is often considered the "om tone", as there is some evidence that tibetan buddhist monks and others base their chants on this note. More info here: http://sonicfabric. Blogspot. Com/2012/01/432-hz-pythagoras-and-om-1361-edition. Html.

Just something i felt like uploading because i want people to use good stuff. Lel.

Sub drop in a#, made from scratch. Ala emmure.

Someone sharpening a knife.

I fold a paper and then roll it up and drop it on my desk.

I was always fascinated by this sound. Recorded on a canon d550 camera.

Single scissor cut, very short clip. Lmk what you think.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

Jazz standard bridge, ragtime progression: E7-A7-D7-G7, III7-VI7-II7-V7, or V7/V/V/V - V7/V/V - V7/V - V7 [or V7/vi - V7/ii - V7/V - V7]. MIDI file Progression d'accords : Pont Jazz standard. La progression de ragtime (E7-A7-D7-G7) apparaît souvent dans les ponts des standards de jazz. Fichier midi.

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

Parrallelism in music (example).

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Eight bar blues progression boogie woogie bassline on middle C.

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

Small suction cup popping as it is pulled off of a surface.

Blade sharpening sound.

Me dropping a chain somewhat slowly on a linoleum floor. It starts loud and gets softer. It's also pretty bright, but most of that is around 14k if you want to eq it out. Recorded with two kam i2's into a zoom h4n.

F# on a glockenspiel.

Boots are walking on glass.

This is a knife i use often at my workplace cutting different materials. It’s called an ofla knife- they’re pretty small and can retract and come back out again with a drag of a switch. This is me dragging that switch up and down, slowly for each individual tick and then all at once. I know in this recording the background isn’t completely silent, i’ll try to reupload a recording when it is at some point.

Marker writing on a board. Marcador escribiendo sobre un tablero.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

After You've Gone by Creamer and Layton (1918) chorus, mm.24-43. Nashville number system realization on guitar.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules: